Hung Duong

Art Writer & Translator
duong manh hung

01.

Stemming from a personal attempt to “see through” and understand the diverse forms and expressions of contemporary art in Southeast Asia, SEA-through is a platform where I gather thoughts, organize travel notes, and share my writings on the ever-growing and increasingly interconnected visual art scenes of the region.

As someone who is betrothed to this region, I myself am also a learner. Through my writing, I hope to expand my vision, gain more knowledge, and connect with friends who share my passions.

02.

Recent writing

Bangkok: Taiki Sakpisit

Taiki Sakpisit, Dark Was the Night, 2024, two-channel 4K video projection, color and black-and-white, sound, 15 minutes 30 seconds. “In

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Jakarta: Haiza Putti

Haiza Putti, ‘Salutan Oranye #1,’ 2024, oil and acrylic paint, crayon on canvas, 80 x 100cm (left), and ‘Salutan Oranye

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03.

Core writing elements

The four pillars which ground my art writing are:

Material/Medium; Form; Concept;and Inspiration.

Each pillar will guide you into different yet interlaced aspects of contemporary art in Southeast Asia.

Material/Medium

Material/Medium refers both to the actual materials, and the socio-historical allegories and eco-political tensions embedded in them.

Form

Form pays tribute to the struggle to visualize and manifest creative thoughts through an array of expressions.

Concept

Concept embodies the perfect work inside our head: how its abstract existence propels artmakers to pursue innovation in their daily practices.

Inspiration

Inspiration alludes to effervescent thoughts, fleeting encounters, life-changing experiences, or just random miscellanies of a quotidian nature.

Want to work together?