Hanoi: Ngồi xuống cùng Dịch: Translation in Art Workshop_Á Space

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Translation has traditionally been seen as a medium through which intercommunal linkages are made possible. Particularly in the art, where there is a constant desire for distribution and exchange of knowledge between different communities as well as forms (visual to textual, audio, sensorial, and vice versa), translation plays a pivotal role in configuring spaces for […]

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Hanoi: Conference in Curating in Vietnam (Inaugural Edition)

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Photo: Đỗ Văn Hoàng On April 13-14, 2024, at the 1st Conference on Curating in Vietnam, co-organized by Á Space and School of Interdisciplinary Sciences and Arts – Vietnam National University, Hanoi with the support from Dogma Collection, Nguyen Art Foundation, and The Outpost Art Organisation, I delivered a talk titled ‘Translation as a meaning-making

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Nguyễn Trinh Thi

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Based in Hanoi, Nguyễn Trinh Thi is a filmmaker and artist. Traversing boundaries between film, documentary, video art, installation, and performance, her practice currently explores the potential of sound and listening, and the multiple relations between the image, sound, and space with ongoing interests in history, memory, ecology, representation, and the unknown. Recent exhibitions include

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Nguyễn Duy Mạnh

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Nguyễn Duy Mạnh (b. 1984, Vinh Phuc, Vietnam) graduated from the College of Education in 2007 with a major in Fine Arts Education. He is a member of the Vietnam Fine Arts Association and currently lives and works in Hanoi. His artistic practice is a process of self-study and experimental exploration in the field of

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Hà Mạnh Thắng

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“For me art is a way to define my own life in a different way. It is like a circle of time, memory and history.I am interested in how meaning is ascribed to images especially historically and culturally significant images.” Born in 1980 in Thai Nguyen province, Hà Mạnh Thắng is one of Vietnam’s most

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Lê Quốc Thành

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Lê Quốc Thành (b. 1975) is a Ho Chi Minh City-based artist whose practice works with painting and assemblage. Despite dropping out of Ho Chi Minh City University of Fine Art a year after he was enrolled, Lê Quốc Thành continued his art practice through means of self-studying, doing freelance jobs, and honing his primary

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