Nghĩa Đặng

Nghia Dang (b. 1994, Hanoi) uses psychoanalytical ideas, and in particular the Lacanian approach, as a tool to traverse what he calls ‘the ruin within himself’, making sense of his experiences, relationships and, perhaps most salient of all, how the self is constructed. The artworks alternate between visceral iterations of reality and the imaginary realm […]

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