Singapore: Nguyễn Trinh Thi
As viewers recline on beanbags placed strategically on the floor between the two screens, our split peripheral vision becomes enticed by a chimerical montage of found footage—Nguyễn’s previous moving images depicting Jrai people’s sound-centered cosmologies are interspersed with slices of natural landscapes and arpeggiated noises extracted from Vietnamese wartime films along with Hollywood blockbusters.